![]() Elektronska muzika i elektronski instrumenti (dodatak opštem delu knjige “Uvod u orkestraciju”). Drugi tom – Realizmi i modernizmi oko hladnog rata : pp. “Subverzivni socijalistički modernizmi u muzici. Mikuláš Bek, Geoffrey Chew and Petr Macek: pp. “Socialist Realism as an Enforced Renewal of Musical Nationalism.” Socialist Realism and Music, Colloquium Musicologicum Brunense 36 (2001). Belgrade: Muzikološki institut Srpske akademije nauka i umetnosti Tradicionalno i novo u srpskoj muzici posle Drugog svetskog rata (1945–1965). Belgrade: Fakultet muzičke umetnosti, Katedra za muzikologiju ![]() Video recording of the conference presentation available at: “The Impossible Avant-garde: The Curious Case of Vladan Radovanović.” Paper presented at the International Conference Nationalism in Music in the Totalitarian State. “The Ideology of Moderated Modernism in Serbian Music and Musicology.” Музикологија/Musicology. The interview with composer Aleksandar Obradović” (Korić, Vesna, Trans.) New Sound, International Magazine for Music. “To understand the beginning and the end. “Paradoks kratkog spoja između publike i savremenog kompozitora,”. “Posleratno muzičko stvaralaštvo u Jugoslaviji: Srbija.”. ![]() Retrieved from (last access 14 December 2017). “Place of the Classical Music Festivals in a Transitional Society.” Master dissertation, University of Arts in Belgrade: Serbia. Thirty Years of the Belgrade Music Festival (Brown, Gawin Paunović, Zoran, Trans.) Belgrade: Jugokoncert. “Inside or Outside Socialist Modernism? Radical Views on the Yugoslav Art Scene, 1950–1970.” Impossible Histories – Historical Avant-gardes, Neo-Avant-Gardes, and Post-avant-gardes in Yugoslavia, 1918–1991, Eds. ![]() ![]() 3” (Kapetanović, Goran, Trans.) New Sound. “Aleksandar Obradović – Pro Libertate Concerto for Piano and Orchestra No. Elementi ekspresionističke orijentacije u srpskoj muzici do 1945. BEMUS - Belgrade Music Festival archive. ![]()
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